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Beatrice

[beɑ'trɪtʃe]

Italian. Arachnophobic. Fangirl.

The Arthur to my Merlin


SPOILERS POLICY | SEMI-HIATUS



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"and for a moment i stopped trying to fix heaven and realized that it was right in front of my very eyes."

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this is a thing that exists





"Children are filled with hope and imagination. As we grow older, those feelings may fade; but certain things trigger our inner kid. Star Wars is the embodiment of that childhood wonder."

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House of Worth Fall/Winter 2010/2011 Haute Couture

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Inspired by this post

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When they made this particular hero, they didn’t give him a gun. They gave him a screwdriver to fix things. They didn’t give him a tank or a warship or an x-wing fighter—they gave him a box from which you can call for help. And they didn’t give him a superpower or pointy ears or a heat-ray—they gave him an extra HEART. They gave him two hearts! And that’s an extraordinary thing. There will never come a time when we don’t need a hero like the Doctor.”
Steven Moffat

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ninawhaltey replied to your post: “i used to be so brilliant  where did i go wrong ”:
They say the more you know the more you realise you don’t know (if that makes any sense!) So maybe you’re just as brilliant as you ever were, but it’s hard to keep confidence when moving forwards to try to become better (Hang in there!) xxx

Thank you for these beautiful and kind words! You’re so nice! I love you ♥





mimswriter:

Kurt Vonnegut: 16 Rules For Writing Fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

9. Find a subject you care aboutand which you in your heart feel others should care about.

10. Do not ramble.

11. Keep it simple. Simplicity of language is not only reputable, but perhaps even sacred.

12. Have guts to cut. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

13. Sound like yourself. The writing style which is most natural for you is bound to echo the speech you heard when a child.

14. Say what you mean. You should avoid Picasso-style or jazz-style writing, if you have something worth saying and wish to be understood.

15. Pity the readers. Our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists.

16. You choose. The most meaningful aspect of our styles, which is what we choose to write about, is utterly unlimited.

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